"[Her playing] was unflinching and luminous...Her passion for watercolors is on display in her musicianship; she expertly manipulated her tone color, fading from compressed brightness to a wispy shimmer in the space of a blink....A note from her was never just a note...Whatever project she takes on next, it is sure to be worth a listen." - The Boston Globe

  

"Her technique is equal to all challenges, secure, effortless and unobtrusive; her tone is lovely, pure, and variable in color and intensity" - New York Concert Review

"Ninomiya was featured on Stravinsky’s Violin Concerto, playing with electrifying passion [and] refinement....It was gorgeous and mesmerizing to watch her play the piece.  While Ninomiya was on stage, the entirety of Symphony Hall leaned towards her, raptly attentive. And when she stepped off, the audience missed her onstage presence." - The Daily Free Press

 

"Ninomiya dazzled with her lightning-speed bow work and flawless technique..."  - Live review from Winnipeg

 

"Ninomiya played with the greatest intensity...she was no less persuasive in conveying the mystery...the fire...and both the wrenching quality and sheer sweetness of sound required..."  - The New York Times

 

"The audience whooped, whistled, and shouted with delight at [Ninomiya's] feats of virtuosity but also listened attentively to the quiet authoritative musicianship at the core of everything she did."  - The Boston Globe


"...dazzling technique, pure tone, and intensity of expression...."  - The New York City blog

 

FULL BIO:

Praised by The New York Times as "deeply communicative and engrossing," violinist Ayano Ninomiya is committed to creating invigorating live performance experiences from concert stages to private homes and public schools. The Boston Globe wrote that, "A note from her was never just a note...Whatever project she takes on next, it is sure to be worth a listen."

Equally at home as a soloist, recitalist, and chamber musician, Ayano has performed throughout the United States, as well as in Canada, Puerto Rico, Europe, China, Japan, Singapore, Indonesia, Australia, and New Zealand. In addition to recent performances at Weill Hall, Zankel Hall, and  Merkin Hall, she made her Carnegie Hall debut in 2016 with the Stravinsky Violin Concerto. Recent performances include solos with A Far Cry and the Jacksonville Symphony, as well as recitals at the Music Mountain Festival, the Sembrich Opera Museum, and the Moab Festival. She will also perform with Beaux Arts Series (FL), Chamber Music International (TX), Boston Chamber Music Series, and Chameleon Ensemble (MA), as well as at the Cooperstown, Orford (Canada), Bowdoin, Morningside Music, Interlochen Arts, and Anchorage chamber music festivals.

She has won numerous awards, including the Naumburg International Violin Competition, the Tibor Varga International Competition, Astral Artists National Auditions, and the Young Performer’s Career Advancement Award (APAP). As a recording artist, Ayano has released a variety of albums including a solo album of works for violin by Larry Bell and more recently, three albums as the first violinist of the Ying Quartet: an album of the complete quartets by Robert Schumann, an album of the complete quartets by Anton Arensky, and a third album, “American Anthem” (Sono Luminus), featuring works by Randall Thompson, Samuel Barber, and Howard Hanson.

In 2012 Ayano was invited to give a TEDx talk at the University of Tokyo. More recently, she has given numerous lecture demonstrations for organizations and festivals on topics ranging from Aikido principles as they pertain to playing the violin to sustaining a varied career. Other past projects include a benefit performance for victims of the 2009 Haiti earthquake, a fundraiser in the aftermath of the 2011 Tohoku earthquake with sumo wrestler Konishiki, and the creation of her own Elderhostel “Day of Adventure” programs in NYC that gave an insider's view of making music. As a recipient of the Frank Huntington Beebe Fellowship, Ayano conducted research of scores at the Bartók Archives in Budapest, Hungary, working with musicologist ​László Somfai.

During the summers, she has performed at the Marlboro, Ravinia, Kingston, Skaneateles, Caramoor, Bowdoin, and Moab music festivals, as well as at Prussia Cove's International Musicians Seminar, the Canberra International Festival (Australia), and the Adams Festival (New Zealand), among others. She has been invited to tour France and the west and east coasts of the U.S. and France with "Musicians from Marlboro" (Marlboro Festival) and "Musicians from the Steans Institute" (Ravinia Festival). She is also a founding member of the exciting conductorless string orchestra, ECCO (East Coast Chamber Orchestra), which is composed of soloists and leaders of quartets and orchestras from around the United States. Because of her own experience beginning the violin in a public school program in Boston at the age of seven, Ayano has given numerous programs for children across the U.S. from Bethlehem, New Hampshire to Columbia, Missouri, to Denton, Maryland, including many in the greater Philadelphia area.

Ayano, whose principal teachers and mentors include Miriam Fried, Robert Mann, Eszter Perenyi, Michele Auclair, and Robert Levin, graduated ​magna cum laude​ from Harvard University. She graduated with her Master’s degree from The Juilliard School and then went on to study at the Franz Liszt Academy in Budapest, Hungary. From 2010-2015, Ayano was first violinist of the renowned Ying Quartet and Associate Professor at the Eastman School of Music. In the fall of 2015 she joined the violin faculty of New England Conservatory of Music in Boston. She has been a volunteer tutor for at-risk high school students at the East Harlem Justice Center and volunteer at the Lighthouse Music School (NYC). In her spare time, she loves to paint and practice Aikido.

 

"She played [Wieniawski's Concerto no. 2] splendidly, with bold tone and accents, a sumptuously singing line, and stupendous virtuosity throughout, especially in the gypsy-style rondo-finale, which she delivered with abandon and élan." - Richard Dyer, The Boston Globe

 

"Ninomiya captured the ethnic flair...with grace and élan, and her command of the altissimo register in the final movement was outstanding."

- Cafe Momus blog

 

"Ninomiya...drew a diamond of a performance shining in elegant brilliancy" - The Boston Musical Intelligencer 

"The first violinist Ayano Ninomiya...should take some credit for these inner voices coming through so powerfully. Fully capable as she is of dominating with rich opulence...she held back in the Beethoven, contributing to the textures and leading only when the music demanded. She has a formidable bow arm and a whole repertoire of sounds that she uses with great imagination and discretion."  - The Washington Post

"Violinist Ayano Ninomiya was the excellent soloist...[her] playing conveyed an airy otherworldliness." - The Boston Globe

"Brilliant soloist" - The New York Times

 

"Soloist Ayano Ninomiya presented a spiritual, immersive account of the work...[her] playing had a hypnotic effect...." - The Boston Musical Intelligencer

“...deeply communicative and engrossing...”  - The New York Times

"...dazzling technique, pure tone, and intensity of expression...."  - The New York City blog